Wednesday, July 30, 2014

Four year old marked with "sign of the Devil"

This might seem like tabloid fare but I post this as a sign of the times. Strange things are happening all over.

Excerpts are from this article: Boy, age 4, has mark of the DEVIL on his chest. (See also The Sun Newspaper Faces Calls To Pull Bizarre 'Devil Boy' Front Page Story)

“THE parents of a boy aged four were horrified when a “mark of the Devil” appeared on his chest. Sharon Lewis and Robby Jones spotted the cross-hair imprint as they got son Samuel ready for bed. The sinister sign is proving a devil to explain. The imprint has baffled his parents, teachers and even the family's GP. Shocked Sharon, 37, of Market Drayton, Shrops, said yesterday: “It’s a nightmare. Some people have said it’s the Symbol of Mammon — the sign of the Devil’s first born — which has been very upsetting. “Just looking at it made me shake thinking something unnatural had visited my boy. “Something or someone made the sign on him but we just can’t explain how.””

“You see this kind of thing on scary sci-fi films. It isn’t supposed to happen to families like us. “Now we sleep with the landing light on and Samuel often comes into bed with me and Robby. "I know it sounds crazy but I have found myself listening out for bumps in the night.” The marking stayed on the right of Samuel’s chest for three weeks before finally fading on June 16. Robby, 34, a plumber, said: “You can still make out a faint silvery outline of where it was.” The symbol features in the 2005 Keanu Reeves film Constantine. A priest carves it into his hand after a nightmare.”

“Symbol for Mammon, 'the son of Satan' MAMMON is said to be one of the Seven Princes of Hell and used the cross-hair symbol as his calling card. He is associated with the deadly sin of greed. The symbol appears in Egyptian tomb paintings and carvings dating back to 1500BC and cave paintings in Italy apparently depicting visits by beings from outer space. Some amateur researchers say it is a branding from an alien abduction.”

I find it interesting that there is, about 3 miles from the town where this happened there is a neolithic monument called The Devil's Ring and Finger. Is that related? I have no idea.

Tuesday, July 29, 2014

Our Lady of the Nations - on

A new study has been published on on the theme of the Marian apparition.

Our Lady of the Nations

Here's how it starts.

The female figures representing our national entities are not difficult to find. What appears in those familiar associations when we realize what we've been looking at is evidence that the goddess has been uniting the nations of the world together, just as she draws and unites individuals through Marian apparitions. When national entities unite, they tend to wave the banner of the goddess. Mystery Babylon is a diverse entity that includes a geo-political aspect. The ancient “goddess of 10,000 names” may well be called, Our Lady of the Nations.

  • United Nations - Sophia
  • United Kingdom - Britannia
  • European Union - Europa
  • Russian Federation - Mother Russia
  • United States - Columbia-Freedom

When you visit the study you'll see that I've only published what pertains to the first 3 of the 5 entities. I hope to publish the last 2 in the next day or so. Lord willing, I'll keep you posted.

Blessings in Y'shua!


Saturday, July 26, 2014

Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 2)

Continuing from part one, in this post I'll illustrate how the revolution, bee and rose themes are repeated in Coldplay's Viva la Vida official alternate video, then decode the lyrics.

Coldplay - Viva La Vida (Anton Corbijn Version)

The Anton Corbijn version complements the other official video. The painting that provided the background for that one, which is also featured on the album cover, is featured throughout. The king carries it around as his most cherished posession and a link to the past, putting it on display in various scenes. Identifying the setting and the identity of the king helps interpret the symbols.

The church-like building is the Ridderzaal (Hall of Knights), the main building of the 13th century Binnenhof in The Hague, Netherlands. It supplies the three themes of the revolution, the bee and the rose. The round window is called a rose window, and that one features the 8 rayed star pattern of the goddess. There are lion symbols adorning it and the other buildings, another symbol of the goddess. The Ridderzaal has long been used for the state opening of Parliament on Prinsjesdag (Prince's Day) , which is the third Tuesday of September. With Tuesday being the 3rd day of the week, Code 33 is stamped on the event. The royal throne is located inside the Ridderzaal. When the video was made, Queen Beatrix was the monarch, who ruled from 1980 to 2013. Her throne bore the letter B. Queen Bea, B, or Bee. If you never heard of her, you should know that she's a member of the Bilderberg Group, which was co-founded by her father. The secretive group of elites meets in the Netherlands in Oosterbeek in the Hotel de Bilderberg. From what little has been reported about their activity, sedition and global revolution seem to be their purpose.

Revolution and bees are highlighted in the identification of the king, as portrayed by Chris Martin. Students of history will readily identify him as Napoleon's brother, Louis Napoleon Bonaparte. Martin's crown and mantle (which he wears over the same clothes he wears in the other official video), resemble those of the French sovereigns of that Napoleonic period. In 1830, when Delacroix's, Liberty Leading the People, was painted, Louis was in exile. He had been appointed by his brother as the King of Holland, reigning from 1806 to 1810. The French had occupied the Hague, and King Louis would have sat upon the throne in the Ridderzaal. The orange pendants seen in the video illustrate how the monarchy had returned after his departure to the dynasty of William the Orange. The red, white and blue pendants in one scene indicate the rule of France. The downward triangle shaped pennants are feminine and more subtle goddess symbols.

The Star of Inanna is evident in the iconic badge of the Napoleonic era, as you see in this painting of King Louis.

In this screenshot from the video, we see him adoring the rose goddess Liberty in the painting. He wears the bee-adorned mantle and the bee-fleurs-de-lis Marian crown, which I'll elaborate on shortly. He's at the seashore (the birth of Venus - Stella Maris) and flashing us a V to signify that she is Venus.

Botticeli painted, The Birth of Venus, and included both the scallop shell and rose symbols of the goddess as she floated ashore.

The Mormons, with their grand Tabernacle in Salt Lake City, adore the Bee Goddess. They identify themselves with the word, Deseret (Deseret Industries), which comes from the Egyptian word for honeybee. They combine the scallop shell with the beehive on doorknobs. Doorknobs are the mechanism of opening doors, it should be noted. Holiness to the Lord. (click image for high-res) Not really my Lord, and not really holiness.

Back to the video imagery. Chris plays King Louis as obsessed with the painting and with the Hague, and acts rather depressed. The following excerpts from Wikipedia offer some insight into Chris' portrayal of the exiled King.

“His request to visit the Netherlands was denied several times by King William I of the Netherlands, but King William II of the Netherlands allowed him a visit in 1840. Although traveling in the Netherlands under a false name, some people found out that it was their former king, which led to a cheering crowd gathering under the window of his hotel room. It is said that he was quite moved by this demonstration of affection from his former subjects.”

“Louis supposedly had a poor mental condition at times, and supposedly suffered from periods of mental illness. Louis's "poor mental condition" may have been periods of depression caused by trying to hide his homosexuality or bisexuality. These periods of depression or mental instability (records fail to distinguish) would plague Louis, and consequently Napoleon, until his death.”

Because another key identity of Viva la Vida is Frida Kahlo (Part 45 - 2012 London Paralympics - “Our Lady of Coldplay” - and Frida Kahlo), who was also bisexual, there's another theme to be added to the others. This sexual “diversity” is common to many Marian goddess worshipers. Romans 1 speaks loudly about our day.

Napoleon was known as The Bee. The dark spots on the white part of Chris' robes are actually bees. They are broadly claimed to be a symbol of immortality and resurrection, and the connection must be made to the bee goddess. Chris' crown is identified with the fleurs-de-lis, which is most likely a form derived from both the bee and the bundled reeds of Ishtar. The fleurs-de-lis is a symbol of Mary to the Catholics.

The Coat of Arms of King Louis abounds with goddess symbolism. There's an 8 point star of Ishtar along with several other rosettes and bee-fleurs-de-lis, bees, a pair of lions and a pair of eagles on the blazon, and swords (Athena-Minerva). The scepter is crossed with a hand sign of Horus that represents the union of Isis and Osiris that produces Horus, whose mark is the X of that crossing. The white glove represents the isolation from their wicked deeds done in secret, their apearance of purity that a whitewashed selpuchre exhibits.

The lighthouse represents the torch and illumination of the goddess, and the reflecting surface of the water is the mirror named in the lyrics, an Aphrodite symbol, as well as signaling “as above, so below.”

When he lets his bee adorned robe flutter in the breeze he is miming the bee in flight.

Chris appears like a giant in a couple scenes at The Hague. This complements and explains a puzzling line in the lyrics, spilling the beans about the real subject, a much more ancient ruler who is in exile, asleep as in a kind of death, and who will arise and return. He will be received with more acclaim than with King Louis' reception in 1840 in the Netherlands!

Lyrics aside, to say that the alternate video draws heavily from Depeche Mode's, Enjoy the Silence, would be an understatement. Anton Corbijn directed that one too, which was released in 1990.

Depeche Mode - Enjoy The Silence (Official Music Video)

That video provides more support for the analysis above. What is meant by “The Silence” is demonstrated in the closing scene. The king comes out of the darkness and declares, “Enjoy the Silence,” putting his finger to his lips. He strikes the classic Harpocrates pose, who is the boy Horus. Leading up to that we see very brief flashes of a long stemmed rose. The rose appears on the covers of the single and album cover (Violator - ! VIOlaTOR - and note that LA=12+1=13). The goddess, playing a supporting role behind the scenes. The wandering king wears the France's royal crown and robe like what Chris Martin wears in the derivative alternate Viva la Vida video, so the ornamental bees and comparable fleurs-de-lis and the The Royal Bee are given attention. He passes by trees, goddess symbols. He passes by one that presents a huge V as he walks. 5-Venus, Victory, the Virgin Mary, Viator, the voyager or traveler, Beatrix, Beatrice, BEE. Instead of a painting, Depeche Mode's king carries a wooden framed beach chair, which is what you sit in when you're on the beach gazing at the surf. It's a symbol of the adoration of Venus, born of the sea foam. Mary draws the world to herself, uniting them. The point is demonstrated at the end, with Harpocrates. The Silence is their great secret, modeled over and again. Horus is returning from exile to claim his throne. The rose-bee seafoam goddess brings him into the world.

In 1990, a promotional video for "Enjoy the Silence" was shot by French TV (for the TV Show "Champs-Élysées" with Michel Drucker) featuring Depeche Mode lip-syncing the song while standing atop the World Trade Center at the WTC rooftop World observatory. ” (Wikipedia) How appropriate, for a promotion of Mystery Babylon, the Harlot who fornicates with the kings and merchants of the earth.

Let's give the lyrics of the song some consideration.

Viva La Vida Lyrics (my comments in parenthesis)

I used to rule the world (The sun god with His Queen consort)
Seas would rise when I gave the word (lunar tides - the moon goddess)
Now in the morning I sleep alone (the morning star becomes the evening star)
Sweep the streets I used to roam (black awakening)

I used to roll the dice (reference to the work of illuminated French poet, Stéphane Mallarmé. “A roll of the dice will never abolish chance”)
Feel the fear in my enemy's eyes (threatening offensive might being wielded)
Listen as the crowd would sing
"Now the old king is dead! Long live the king!" (The intended outcome of the revolution, which is the overturning of the sovereign God's authority and installing of the created Lucifer on the throne through his son: Osiris, raised-transformed-returned from exile as Horus through the regenerative magick of Isis. )
One minute I held the key (Revelation 9 - key to the abyss - the goddess)
Next the walls were closed on me (bound under the earth for an appointed 70 generations)
And I discovered that my castles stand
Upon pillars of salt and pillars of sand (Reference to Sodom, Lots wife. The castle-fortress-abode has no enduring foundation)

(chorus 1)
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing (Reflecting on 70 AD when the armies of Roman's Titus destroyed Jerusalem and reduced the Temple to fine rubble in the sacking of her plunder. A perceived triumph as a notch in the Adversary's belt. The ZION concealed in Olympic logos compares as an expression of their desire to lay seige to the holy city in a coup d'etat. This is the seditious Jesuit and secretly militant Romish church's game plan. Ave Maria.)
Be my mirror, my sword and shield (Mirrors = Venus-Aphrodite-Hathor, petitioning Mary as the able leader into battle as Victory, Liberty and Columbia and Freedom )
My missionaries in a foreign field (conquistadors, the army of priests establishing missions, and Mary herself - the able recruiter, drawing, drawing...)
For some reason I can't explain
Once you go there was never
Never an honest word (He is of the character of his father, the father of lies, incapable of being straight up. “You” could tell the truth, but once you go, there's never an honest word. He's not able to explain because that would be telling the truth, and he must lie.)
And that was when I ruled the world (And so it will be on his return)

It was the wicked and wild wind (4 winds of the 4 corners of the earth - dimensional construct)
Blew down the doors to let me in (dimensional breach)
Shattered windows and the sound of drums (the acoustic effect)
People couldn't believe what I'd become (the Antichrist)
Revolutionaries wait (Revolutionaries - codeword for Marian goddess worshipers bent on overthrowing the Creator.)
For my head on a silver plate (allusion to John the Baptist reprised, the counterfeit, the papal beast and False Prophet. John the Baptist was killed because of a king's promise to a dancer, and her evil mother. Salome has become a symbol for dangerous female seductiveness. Mary-Athena-Minerva -- Queen Jezebel. Also alludes to the fatal wound to the head of the beast, healed. The healing is a goddess thing.)
Just a puppet on a lonely string (marionette ~ MARIANette - Lonely? The Lonely Goatherd marionette show from The Sound of Music film, run by Maria. Also, the implied lotus-apple blossom president-king from I Pet Goat II. The “hanging goddess” is Ariadne, and Artemis)
Oh, who would ever wanna be king? (doomed to destruction - not a great finish)

(chorus 2)
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
I know Saint Peter won't call my name (The fallen ones are not appointed for salvation. There is a restoration of all things, but that doesn't change the truth that no salvation is appointed for them.)
Never an honest word
But that was when I ruled the world

Oh oh oh oh oh oh oh

(repeat chorus 2)

In closing, the reference to Mallarmé in the rolling of the dice deserves some more attention, but that's another post.

Friday, July 25, 2014

Part 2 - Hidden Signs of the Goddess - TomorrowLand

TomorrowLand is perhaps the worlds biggest music festival. It's held annually in Boom, Belgium during the final weekend in July. Except this year. Because of its popularity it's being held two weekends in a row, on both the 3rd and 4th weekends. As I write, the second weekend is underway.

A spin-off called TomorrowWorld was held last year in the US, in Chattahoochee Hills southwest of Atlanta, GA. Wikipedia claims the event brought 85.1 million dollars into Georgia's economy. Another is planned for September. It's big time popular!

TomorrowLand's celebration of the goddess of magic isn't really all that subtle. If you are familiar with her symbols you can see what is the more telling, the layering of Occult embedding.

The theme is “Join the Magic.” The festivals site, TomorrowLand Live, streams video so the whole world can access the live feed and rebroadcast footage, so the ritual in real time unites the world in worshiping the goddess. That's what the Marian apparition is about.

This image from the rotation of pics from the festival in their sidebar features a star-wearing blonde spraying water. She's got the spirit. Venus. Why FLOW? Reverse it. WOLF. The wolf is linked to Apollo, but also with the Celtic goddess Morrighan. She's a warrior goddess. The cow is another animal linked to her, which identifies her as the fertility goddess. In Scotland, the wolf goddess is known as Cailleach.

There's a video intro promoting the festival on YouTube here.
TomorrowLand Intro

It begins with a storybook narrative, a reading from a book a story titled, The Key to Happiness.

“People of Tomorrow. Let me tell you a story that reveals the secret behind a magical key. In a time when darkness roamed and creativity and joy were forbidden, in the midst of all this misery there was a man, an intelligent inventor, with only one dream: Releasing the world from all its misery by building an instrument, assembled in an enormous work of art. To protect his creation, he fabricated a mythical key that would only be found by the purest of hearts.”

The visual of “when darkness roamed and creativity and joy were forbidden” seems to suggest the famous gargoyle on the corner of Notre Dame Cathedral. It represents the “mean old party pooper” Sovereign God, to the mind-controlled lost. Ironic, because Our Lady is the same goddess they worship.

The mythical key is a goddess key. It has three loops evoking the triple goddess. The end that fits into a lock is the numeral 3. Code 33. Resurrection. It's equivalent to the ankh. It's an Isis thing. We see the key fit into a complex mechanical system, which magically opens to a grove in the woods. A goddess wanders around. Like Eve in the Garden of Eden. She finds the key in a stream on a chain like a pendant, or Rosary. We see a crow or raven - Apollo-Horus. There's a one eye Horus Eye shot, and the TomorrowLand logo is reflecting in her eye. She is illuminated. With that, she takes off running then finds and rides a white horse, and we see her destination is the Tomorrowland Festival. There's an owl featured, just so we don't miss the goddess identity. There's also a wolf, Apollo, or the goddess Morrighan / Cailleach. The words “The Key Will Guide You” appear on-screen. The goddess of magic is herself, the key, with Horus attending.

This next video illustrates their Opera presentation, a little parade of winged and floral crowned goddesses attended by soldiers.

Tomorrowland 2014 | Opening Opera

One of their stages featured the goddess in what looks like a central video screen.

The logo is a magickal goddess symbol. It looks like a butterfly with an eye on top. It's a winged goddess, with the pupil of the eye being her head, wrapped around as she holds her hands above to frame it. It's rose colored, and yes, it's a rose. With 5 points illustrated. That's confirmed in their Global Journey version, which sets it at the center of a compass rose.

That one has the 8 rayed star of the goddess, and also exhibits the time element of the Pagan solar calendar with quarters and cross-quarters marked off.

In that regard, what is it about the scheduling of the event, the third week in July? It corresponds to the Satanic-Illuminati Grand Climax, which is 5 weeks and one day after the summer solstice. July 20-26 there is an abduction, ceremonial preparation and holding of a sacrificial victim for the Grand Climax. On the 27th, a female, either adult or child, is the victim of oral, anal and vaginal sex ritual and human sacrifice.

Connect the 4 dots in their Global Journey logo, literally, for an XO mark of the beast symbol. You can also connect them to form a square, which is the squaring of the circle, a signal indicating enlightenment through ritual sodomy. Aaron observed how it resembles the LHC collider at CERN, which has four stops along the outside ring, with the two stations responsible for photography of the particles called ALICE and ATLAS. That huge effort is roughly akin to the Tower of Babel stargate work, and it's related to the goddess energy raising activity.

On TomorrowLand's special Global Journey travel package promotion page you will read, “Travel within a Magical Fantasy world, uniting the People of Tomorrow.” Isn't uniting the world as people of tomorrow what the Marian apparition is all about? I link the masculine name Viator with the goddess in connection with letter V signaling, from which the names Beatrice and Beatrix derive. It means traveler, voyager. This is a goddess theme.

This TomorrowLand logo is itself an XO mark of the beast symbol, considering the crossing suggested through the wings. The eye is a Horus eye. The eye in the rose presents the slang for an anus, rosebud. The purplish tint adds another distinctive sodomite gateway symbol. The butterfly supplements the theme even further because it's an anatomical diagram, picturing the phallus penetrating the pelvic structure. With the butterfly, the symbolism of trauma and ritual sodomy based Monarch mind-control programming is really pretty obvious.

The 10th anniversary shield and crown coat of arms adds complementary symbolism. The numeral 10 is X in Roman numerals, the sign of the sun god Horus. The 10 is also signaling IO or Helios, the sun god. The crown has 5 rays and the shield has 5 points and sides, repeating the imagery of the 5 points of the rose. Venus! The shield is tilted and points to the W in the title. The bent elbow goddess cue.

The decoration on their site features plenty of Occult ornamentation, with roses, XO MOB symbols, 8 point stars, sun wheels, Code 33 gear shields...

TomorrowLand. A sexed up goddess of love magical music fest. Mass ritual energy harvesting. The goddess is on the job, preparing the world to meet their god incarnate. 2 Thessalonians 2.

Burning Man 2014 approaches, a Vulcan-Horus festival in Black Rock City, NV. (Part 1 - Decoding Burning Man 2013, Cargo Cult and the Mysterious John Frum)

Very soon, their objectives will be achieved and their hero will manifest, due in no small part to the energy raised by such mass Pagan rituals

Part 1 - Hidden Signs of the Goddess

Goddess symbols are hidden in plain sight. Why should we care if the numerous goddesses are named or their symbols are used openly? More than just giving her props, there's a dark agenda afoot. Jim Tetlow's book sums it up nicely in his book's title, “Queen of Rome, Queen of Islam, Queen of All - The Marian apparitions’ plan to unite all religions under the Roman Catholic Church.” To a very large degree, that's the point. This supernatural working of the entity known from ancient times is working that way to prepare for the world to welcome the Antichrist, who will be baptized by the Pope. For more about that, I refer you to The Sign of the Queen of Heaven on

The symbols are idols, which is why we're told in the 2nd commandment not to make images of things in heaven or under heaven. Disobedience brings a curse, and the idols hold sway, bringing the disobedient into bondage to evil. Those who are in control of this world know the value of symbols in wielding control over the masses. Revelation 18:23 testifies thus about the woman who rides the beast, the great harlot Mystery Babylon, that “all the nations were deceived by your sorcery.”

“Signs and symbols rule the world, not words nor laws” Confucius

"A symbol can act in two ways. First, it can be used to focus and project your energy through it. Second, a symbol can function as a magnifier and transmitter of energy, even if you are not focusing attention on the symbol. Symbols do have a life force of their own. They are mini-transmitting stations for subtle energies that are infused in our reality. Each symbol interacts with your energy field, constantly generating a force field that strengthens you." (from the popular Wiccan magic book "Sacred Space" - by Denise Linn)

Well, “strengthens you” in a bad way, according to the one true God of the Bible.

"To cast a spell is to project energy through a symbol." (Starhawk - from "The Spiral Dance" - a popular manual for witchcraft)

That's what the symbols do. If you get familiar with them you'll see the imagery embedded in surprising ways and places. The power of symbols is diffused when you're aware of them, and the power of control nullified. This series is, like others I've done on symbols (Eye of Horus, Sodomite Gateway, Celestial Stargates...), is intended to help set you free from demonic control as we faithfully watch (Mark 13:37) in these last days, preparing for the trials of faith as judgement continues to roll out across the globe and becoming glorious in the sight of our Lord Jesus Christ, Y'shua haMashiach!

19 We know that we are of God, and that the whole world lies in the power of the evil one. 20 And we know that the Son of God has come, and has given us understanding so that we may know Him who is true; and we are in Him who is true, in His Son Jesus Christ. This is the true God and eternal life. ~ 1 John 5:19-20

Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves. ~ Matthew 10:16

Naming the goddess like Gillette does with their line of razors marketed to women is pretty obvious. Venus. Where it gets occult is when they support the goddess theme with other cues. In this image promoting one of their products they decorate the V with a number 3. The V is signaling the 6th Hebrew letter, vav, and with the 3 bound to it we have a 666 signal. The triple V for Venus represents the triple goddess - maiden-mother-crone. As a Code 47 instance (Euclid), that pictures the union of 3-Osiris with the goddess to produce Horus. That sex magick symbolism is supplemented by the right angle triangle image produced by the angled razor. Venus is the goddess of love and fertility, right? A 55 or Horus-hypotenuse squared is produced when considering the V as the 5th letter from the end of the alphabet and the E as the 5th from the front. Underneath that 3 in the V we see a mirror of the 3 in the E of Embrace. Code 33. It's loaded with occult symbolism! It's primarily a goddess symbol, of course.

They made a print ad promoting the Venus razor that features 5 Catholic nuns. Nuns pray to Mary, that goddess who is drawing all men and women to herself. Venus-Mary is actively working to unite all and bring them under the Papal authority. Five is a Venus number, derived from the planet's trace of a pentagram-centric rosette in the heavens. Five nuns. Venus. The tag line is, “All women love beautifully smooth legs” - Venus - loved universally.

Lady Gaga produced a song and music video called, Venus. Right. It's rich with occult symbolism. She's not the most subtle artist out there. She also has a song and video called, G.U.Y. that is popular now. There are goddess symbols throughout! First, she's a winged angel who falls from the sky, pierced by an arrow. Fallen angel goddess. The arrows are linked to Artemis and also Cupid-Eros. There's a gender blender agenda there. We're told in the lyrics that G.U.Y. means girl under you, suggesting she is going to accept a submissive position. Think succubus. Goddess Under You.

So, there's no real mystery about overtly naming Venus. The goddess has many other names that are usually attended by subtle symbols. Some of them include the rose, rosettes and 8 point stars, the pentagram, pentagon and 5 rayed stars, hexagrams like honeycomb, the honey bee and hive, the scallop shell, moon, seashore, dove, dolphin, fish, lion, owl, apple, tree, mirrors, the metals silver and copper, poles or columns, the 5th month of May, the fertility symbols of Easter, the vesica piscis shape, the W of Inanna-Ishtar's ancient pose, the doorpost poles that are the twisted reeds of Inanna's knot, the shield, sword or spear, bow or arrow, V for Victory peace signs, and spirals that reference the numbers produced by the planet's motion. I believe this association is due the generation of a subset of Fibonacci sequence numbers, 5-8-13. The number 13 and the theme of “rebellion” are equivalent symbols because the meaning of Mary is, “their rebellion,” and “rebellion” is one of the themes of the number 13. When these and others are found together, the spirit of the goddess is active in the symbol. Examples abound.

The Hooters franchise is a really, really subtle example of leveraging the owl symbol to promote the fertility goddess of lust. Okay, not really subtle, exactly.

Mazda - much more subtle owl goddess imagery. Mazda is named for the sun god, Mary's false Jesus.

Starhawks witchcraft manual, which I quoted above, has the full title, The Spiral Dance - A rebirth of the ancient religions of the Great Goddess. The covers present common goddess symbols.

In this recent ad for Starbucks Frappuccino, they supplement their own logo's goddess imagery with a symbol of Nike, their trademark swoosh. Given the chocolate colored drink and the straw, with the rainbow colored geometrical emanation, you really have to identify this as a sign of the disgusting trauma inducing practices of consuming of bodily fluids during ritual sodomy programming.

At the local Monroeville Mall, the Willy Wonka (Code 33) vending machine sports the goddess imagery as their W of the bent elbow goddess is supplemented by the flanking Inanna's knot flourishes. Concentric rings or a spiral. Willy Wonka. The name is suggestive of sodomy, with a “willy” being a phallus and “wonka” being the act, and them being mostly about chocolate, a fecal metaphor. The machine is purple, a signal sodomite color. Anal energy vortex. See the little reclined V attached to the top of the W? Venus. Victory. V+W=vav vav vav or 666.

At present, there's a spectacle taking place in the land of the Celtic goddess that gives her honor as Mary. (Thanks Martin) “An estimated 100,000 people have lined Liverpool's streets to welcome three giant marionettes, which will tell the story of the city during World War One.” (Liverpool Giants: Thousands welcome marionettes to city)

Marionettes. Puppets on strings controlled by the unseen puppeteer. MARIONettes. In Liverpool's exhibition they are giants, Nephilim. That's a good fit. Mary is the goddess of war, so using giant MARIONettes to tell the story of the city during WWI is very fitting indeed. She is herself the great city in Revelation, Babylon the great.

Marionettes are puppets, not in control of their own actions. Mary is a controlling agency. Here's a couple of examples.

The Sound of Music is a classic musical from 1965 starring Julie Andrews as Maria. It's held up as something of a standard of purity and innocence. Rubbish. It's a masterpiece of occult imagery, a Satanic stealth weapon. She is a postulant at a convent, kind of an apprentice-candidate nun. The film is responsible for recruiting many to the Romish order. When she sits on a pine cone and jumps up with a start, there could hardly be a more obvious signaling of kundalini-pineal enlightenment. The original Broadway cast featured MARY Martin in the role of Maria. Maria is the same as Mary, of course, and being a nun she is a Marian worshiper. She performs a dramatic production with the children using a stage with marionettes. MARIONettes. Maria-Mary runs the show.

The song they perform is, The Lonely Goatherd. Now, where else have we seen a goat and MARIONettes? Remember I, Pet Goat II?

So, a goatherd is someone who shepherds goats. Biblically, the goat is paired with sheep as a metaphor of the righteous and unrighteous, like in Matthew 25, where the Son of Man separates those of all the nations. Sheep on the right, goats on the left.

Then He will also say to those on His left, ‘Depart from Me, accursed ones, into the eternal fire which has been prepared for the devil and his angels; ~ Matthew 25:41

There is a false shepherd, and he is the goatherd. There are occult cues in the lyrics of the song. “Men drinking beer with the foam afloat heard.” Inanna, goddess of beer and barmaids. Venus was birthed out of the foam of the sea. It's basically a boy-meets-girl story. Venus-Aphrodite, right? One line is, “Soon the duet will become a trio.” Fertility, reproduction. They do one set with the humans then repeat the modeling with the goats. The final expression heard is when the children say, “HOO!” Isn't that an owl symbol? The word lady is heard in the yodeling. That's the goddess.

Wednesday, July 23, 2014

Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 1)

In this post I'm going to decode the main music video of the title song of Coldplay's 4th studio album. “Viva la Vida” has become the band's most successful song. When the symbolism of the song is understood the set may be seen better for what it was, an Occult ritual exaltation of Venus, the Marian goddess. You should know that what I'm going to show you isn't unique, but this is an example that it notable for its popularity and for the role it played during the London Paralympics. Vida la Vida was performed in a set with Strawberry Swing during the closing ceremony, and this post is supplemental to the ongoing series. The parts 44 and 45 of that series I recently posted to this blog are recommended reading.

Here's the primary official music video. I'll present the alternate supplemental version later.

Coldplay - Viva La Vida

The visual imagery of the video begins with a large red rose. Several more images of the rose appear occasionally throughout the video, which ends with the metaphor of the band as roses, losing petals in the wind. It begins and ends with the rose, and everything inside is related to it. The entire video is presented with a veneer of the characteristic cracks and tint of old paintings. Together with the background imagery and the band's attire it suggests the scene is taking place inside the painting featured on their album cover, “Liberty Leading the People," by Eugène Delacroix. The connection between the rose and the painting has to do with the symbolic woman who waves the flag, Liberty. She is also known in France by the name, Marianne. “Marianne” is a portmanteau of Maria, or Mary, and Inanna. She is the ancient rose goddess who is becoming most widely venerated today as the Virgin Mary. The band is identified with the revolutionaries who are led by the rose goddess, and with the rose goddess herself as the petals drift off in the final scene.

Plenty more goddess imagery appears. The string instruments have bodies that suggest the hourglass figure of the female. The electric guitar female body displays a red letter V, for Virgin, for Venus-Aphrodite, and for Victory, as Victoria-Nike. Chris Martin wears a red V on his shirt to mark him as hers. The cello and violin are played with a bow, which suggests the bow and arrow goddess Artemis-Diana. At 44 seconds in, an Isis numbering marker, he looks up to the heavens and hand-signals a subtle V to his mouth. A couple seconds later he gestures another V with two fingers. Churchill's V for Victory - Victoria. Some would call it a peace sign, given what he's singing at the moment, and it is - a sign of the Queen of Peace. That same gesture was making the triangle eye - the Horus Eye. That's the sodomite gateway to illumination and, in the context, probably linked to what's called the Peace of Mary and Illuminati mind-control programming. He flashes another V at 1 minute in and then strikes his first “bent elbow” W goddess pose of the video at 1:05. That's the signature posture of Inanna-Ishtar. A brief second later, at 1:06, he gestures some owl ears to confirm the reference to Ishtar. The rings of string bracelets and the banding on their arms makes further reference to Ishtar. When Chris is awkwardly throwing his arms out behind him he's modeling a delta wing, making a V and bee wings, as a servant and soldier bee of the Queen's hive. Images of the rose pass through the background. More goddess dancing bee W-goddess moves follow, with a hands crossed over the chest at 2:04 to add another goddess gesture. At 2:50 we see the sky opening for a Marian apparition, with Chris doing a little hand magick in our faces. At 3:33 we see him worshipfully raise his hands against the mystical backdrop of the appearing goddess.

A hobbyist Masonic archivist stated it very simply in SYMBOLISM OF THE BEE.
“In Christian allegory a queen bee sometimes represents the Virgin Mary, the hive symbolizing the Church.”

If you're interested in researching the bee goddess here are two very useful resources.
  • Beedazzled + Beewildered + Beegotten by Andrew Gough
  • The Venus Blueprint by Richard Merrick. This excellent book decodes the symbolism of the Rosslyn Chapel, demonstrating how two major themes involve the bee and hive and the Venus Rose.

Even the drum and bell instruments support the goddess theme. The cymbal and drums of the goddess Rhea were said to attract and dispel swarms of bees. Bell or Belle is used in many names to reference the goddess. It means, beautiful (like the name Frida), and makes reference to Venus-Aphrodite. Examples abound; Annabelle, Marybelle, Isabelle, Bella (Twilight franchise), Maybelle and Maybelline, Lisabelle, Tinkerbell... The bell and drum are also used for witchcraft. The bell is used magically for evoking demon gods and goddesses and even as a supernatural weapon. Drumming raises energy for the ritual.

If you examine what the goddess Liberty carries in the featured painting you'll notice how a rose is concealed within the red of the flag. I don't doubt that Chris Martin is aware of that fact, and what it means on more than one level. What do you think inspired the video opening scene's morphing-fluttering red rose, or is it just there for no reason? Liberty is the rose goddess they worship and serve, aka Mary. Hiding the rose makes it occult, by definition.

The hidden rose emphasizes the secrecy represented by the expression, sub-rosa, under the rose. Under the secret rose of the flag you can find another hidden symbol in her fluttering garment. The ends cross, forming an X. It's the mark of the sun god Horus, but let's connect the dots. The esoteric scene presents us with the rose cross ~ rosy-cross ~ Rosicrucian. Too subtle? The artist painted himself into the scene. He is the resolute looking fellow wearing the stove-pipe hat and holding a musket. The meaning of the name, Delacroix, is, “of the cross.” He placed himself in the scene sub-rosa, under the rose, secretly. Where does “of the cross” appear in relation to the hidden rose and the other hidden cross? That's not very subtle. Was the artist telling us that his companions in the illuminated brotherhood of the thorn bush kind were secretly behind the revolution, as inspired and led by the goddess? That's how the symbols read. Delacroix was a member of the National Guard, and it seems likely that the Rosicrucians, with the Marian Jesuits, were manipulating the conflict from every angle - as led by the goddess Mary, “their rebellion.”

Here's an excerpt from: The False Prophet Azazel by John of the Gentiles.

Appendix A - The Rose Cross of Azazel
“According to an esoteric reading of the Tarot, a Red Rose represents Venus (Azazel‘s human wife), while a Red Cross represents the angel Azazel. The combined Rose-Cross in one respect represents the sexual union of Azazel and his human wife. The word 'Rosicrucian,' is German for 'Rose Cross,' a term synonymous with Red Cross. In addition to this, the word 'rose' is an anagram for Eros, the name of the Greek god of Love, who was the first born son of the angel Azazel and of his human wife. The 18th Degree in Freemasonry is commonly known as the Rose-Croix (Rose Cross), a fact showing the relation to and establishing a link between these two seemingly diverse organizations.”

Elsewhere, the author identifies Azazel with Horus, I believe rightly.

The musket Marianne carries in her other hand is fitted with a bayonette. She is Athena-Minerva, goddess of war. The secret form presented is that of a lightning bolt, that weapon of Zeus that is also associated with the goddess. A related example of Liberty holding lightning is the Statue of Liberty, who holds a torch whose flame is the imprisoned lightning, according to the poem associated with her.

“A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.”

In that first verse of the poem she is the mother of exiles, and I believe this makes reference to the exiled Nephilim, who are being welcomed. The poem was written by Emma Lazarus. I find it interesting that the name Lazarus is associated with resurrection, which is very much the Queen Bee goddess thing. It's also associated with Spiritualism and punishment in the Bible. Relevant. I believe Emma is a goddess name. It certainly is today! The Goddess Emma? Jennifer Lawrence and Emma Watson merged to create 'internet goddess'.

The Statue of Liberty is an idol of the goddess honored by Delacroix and Chris Martin. It's linked to France in that exact period of time of the featured painting, and with Freemasonry as the French brotherhood's gift to their brothers in America. She is the goddess of their common revolution. She bears a torch and a tabula ansata, a tablet evoking the law. What law is this? Upon that tabula ansata is inscribed the date of the Declaration of Independence, July 4, 1776. A broken chain lies at her feet. Her law is rebellion. She is the Spirit of 76, and 7+6=13, rebellion. She is Mary, their rebellion.

What is meant by Liberty is a freedom from tyrannical rule, but in the context of those who follow the goddess and operate in the way of the occult, Liberty really represents a rebellion against the authority of the one true sovereign God. Their exalted revolution is intended to secure freedom from what is seen as the ultimate tyrant by seizing His throne. Being in charge, they hope to live forever and escape judgment and the due consequences of their wicked deeds.

The goddess sponsors this revolution as she makes way for the entrance of the Antichrist beast. This is what Coldplay is promotion with their revolutionary theme and symbols of the rose and bee.

Marxist art historian Giulio Carlo Argan defined “Liberty Leading the People” as the first political work of modern painting. Maybe, but beyond the politics of revolution it's a significant occult religious painting, and Coldplay is not the first to leverage it. For Americans, Howard Chandler Christie's poster, History of America, is clearly derivative, illustrating my country's national goddess composite of Nike-Athena who was usually called Columbia or Freedom. Patriots are following the goddess spirit of rebellion, or Mary, if you will.

So-called Christian patriotism is rampant in America, even amongst most of what I call the bike lane collective. Steve Quayle and Pastor Lankford and the Hagmanns have been blasting those who believe what was written to us in Romans 13 about civil obedience. They encourage picking up the sword, as Jim Wilhelmsen and Russ Dizdar. Those who live by the sword will die by the sword. Is my God not able to bring down even the walls of Jericho with the sound of voices and trumpets if he wills, or destroy the entire army of Egypt without a single sword being raised? Have they never read Matthew 26:52 in context? It's not a question of whether one is afraid of dying by the sword. It's a matter of trusting in the Lord, not presenting a show of bravado. It's about finding your life that is of the greater value!

For whoever wishes to save his life will lose it; but whoever loses his life for My sake will find it. ~ Matthew 16:25

Where else have we seen the red V symbol featured in the video? Have you ever seen the film, V for Vendetta? The bloody red V is set inside a circle. The circle itself is a goddess symbol. Their version conceals the head of an owl, the mark of Occult goddess worship. Alan Moore is responsible for the comic book and film. He has openly admitted to being a wizard and communicating with extradimensional beings. The main character of V for Vendetta stages revolutionary actions against the government. He's known as V, and we are led to see this as the Roman numeral of a room where he was kept. The number 5 is linked to Venus because of the points of the rose it traces out in the heavens. He leaves red roses with the victims he assassinates. Do you see the connections here? He wears a Guy Fawkes mask and follows in that revolutionary's footsteps. Guy failed in the famous Gunpowder Plot of 1605. “Remember, remember, the 5th of November...” the poetic tribute goes. Guy was a Catholic, leading Catholics in a revolt against King James I in attempt to install a Catholic Queen on the throne. It was a revolt led by the worshipers of Mary. You're connecting the dots with Viva la Vida, right?

Where else have we seen the red V symbol? In the TV series, “V” (for Visitors), the reptilian sky Queen was named Anna. Namesake: Inanna. She had a daughter named Lisa and her mother was named Diana. Three goddess names, three generations, modeling the Maiden, Mother, Crone. (Another example of triple goddess naming is in The Matrix, with the character named Trinity.) I'm not suggesting these are simply bad names but informing you how they are used in signal contexts. The blood red V is for 5-Venus and Victory, and ultimately through the Isis-Horus & Mary-Jesus (her counterfeit) in the bringing of their hopeful triumphant result of Victory over death. The Visitors were duping the world with false promises of healing, which has always been linked to the goddess apparitions. Another promised involved a gift of Blue Energy that would solve many problems, which I believe is linked to the blue-skinned goddess Shiva-Kali. I believe there is a connection between the V - for visitors and the Latin name Viator, meaning, “voyager, traveler,” which is the masculine form of, Beatrice, (Princess BEE - Great Britain) and, Beatrix, (Queen BEE - Netherlands).

The revolution, bee and rose themes are repeated in the song's official alternate video. After decoding that one I'll attend to the lyrics.

Tuesday, July 22, 2014

Release of the Apostolic Anointing in 1988, Henry Gruver, Translation and “Because of the Elect”

Three years ago today, I met Aaron Hermann for the first time. We enjoyed a very memorable week together, which was marked by a succession of revelation insights over the course of the visit. We refer back to the milestones of that epic season regularly as the Lord continues to build off some of it. One or perhaps some of the revelations had to do with special ops, time truncation, containment grids and portal controls. Details were pretty sketchy but we have maintained a confidence that the Lord has all these matters covered and will engage his servants as He wills in His perfect time. I believe He has made various arrangements for bringing these things to pass. One of the things the Lord dropped on Aaron while we were the discussing time pivot construction in Matthew 24:22 involved the hidden meaning of “for the sake of the elect.”

Unless those days had been cut short, no life would have been saved; but for the sake of the elect those days will be cut short. ~ Matthew 24:22

The meaning is inverted from how it's typically understood. The elect are not the beneficiaries but rather the benefactors, who will engage, or more precisely, be engaged in the “ekeinos hemera koloboo.” The resulting benefit will be that the consequence of “not - would have been saved any flesh” will be averted. Simply put, because of the elect, flesh would be saved. It has come to seem very likely to me that the Lord will ultimately accomplish this, in part, according to how He engaged brother Henry Gruver with a strike team in 1988.

Years ago I came across some reference to Henry Gruver's being taken to Rome where he bound giant angels. I never heard his testimony or any more detail until very recently when I listened to a Hagmann & Hagmann Report mp3. I was traveling on Friday 6/13 and what he shared struck me in a profound way.

The show had been recorded on June 6. Download or listen at Henry Gruver and Steve Quayle on the Hagmann & Hagmann Report. During the three hour long show Henry shares several testimonies, and you'll hear the one of particular interest spanning 2:27:30 through 2:39:35.

(You can also find that part that I clipped and uploaded as an mp3 here: Henry Gruver translated to Rome in 1988)

Henry shares about being woken up by the Lord one night while he was living in Portland, OR. He was told to get on his knees beside his bed. When he did, he immediately found himself in Rome with 6 other men he had worked with, the spiritual strike force team, as they call it. Henry led the way down through a set of iron service doors under the streets of Rome, Italy. They wound their way down a worn and leftward spiraling staircase until it opened into a level place. The other six men were supporting the mission with prayer. Henry describes what was happening in these words, “and I feel, literally feel, like I've got a funnel in my head and their prayers are pouring in spiritual power. I have to say, I have never experienced the sensation of so much spiritual power flowing into me in all my life as I did in that experience.” Considering all that Henry's been through, that's quite a statement.

Passing through an arched doorway into a catacomb, they encountered two giant angels, and there was a confrontation. “You shouldn't be here,” Henry was told by one of the angels. What happens next reveals the mission's objective. Henry points and speaks, first to one angel then the other. Here's the transcript as he tells it: “We are here by the divine commandment of the Lord Jesus Christ, and the estate that you have bound of the apostolic anointing since the days of the Apostle Paul - that you have bound here since the days of the Apostle Paul - are now loosed to the Body of Christ worldwide for the preparation of the church becoming glorious.” After that, he deals with binding the angels. He then finds himself back on his knees in his pajamas by his bed. Henry recounts how it was confirmed to him later that day that he had indeed been translated, with the other men involved bearing witness to being there with him in Rome and seeing and hearing what was done.

You can think what you want about the veracity of his testimony, but I believe it. I've been translated before, in 1999 in a similar kind of shared experience. I found myself going to a place I call the timeless place, in glory near to the throne of the most high God. It was for an apostolic mission that provided a simple benefit for the only other person involved, because the Lord wanted to reveal Himself to her as the God of Time. When Henry says he was translated for that key mission, I believe him. It seems likely to me that the way the elect will be engaged for one or more key special ops in the near future will be similar to how it was with Henry and the strike force team.

What was really personal about Henry's testimony is that it explained what happened to me in 1988. I've shared on the blog over the years about going through a health crisis in the midst of being isolated from institutionalized religion and being subsequently brought very personally as a student to His feet. It was quite a struggle. I found myself brought to “the end of myself” once more, not very unlike the circumstances leading to my “being saved” as the Lord drew me to Himself in 1980. I was confronted with the reality that my “faith theology” had utterly failed and was forced to accept that, when it came right down to it, the very best I could do still led me to being deceived. I was horrified and humbled, again. There's a trend. What I was left with was the Lord, and His solution. That was apparently the apostolic anointing. My situation turned.

It became apparent over time that I had an apostolic anointing but I could offer no explanation for it. I was never ordained by elders or formally prophesied over or ceremonially anointed. No angel showed up with a news flash, and neither did the Lord manifest Himself to me in a concrete way like some say happened to them. When I heard Henry repeat the words that had been heard coming out of his mouth, the commanding of the release of the apostolic anointing, and I heard his claim that it happened in 1988, I knew that's what had happened to me. I have no idea how many others were direct beneficiaries but Henry said it was worldwide. The anointing doesn't make me faultless and it's not a badge or a scepter but it is a provision for service. The ministry of The Open Scroll is “for the preparation of the church becoming glorious.”

10 He who descended is Himself also He who ascended far above all the heavens, so that He might fill all things.) 11 And He gave some as apostles, and some as prophets, and some as evangelists, and some as pastors and teachers, 12 for the equipping of the saints for the work of service, to the building up of the body of Christ; 13 until we all attain to the unity of the faith, and of the knowledge of the Son of God, to a mature man, to the measure of the stature which belongs to the fullness of Christ. 14 As a result, we are no longer to be children, tossed here and there by waves and carried about by every wind of doctrine, by the trickery of men, by craftiness in deceitful scheming; 15 but speaking the truth in love, we are to grow up in all aspects into Him who is the head, even Christ, 16 from whom the whole body, being fitted and held together by what every joint supplies, according to the proper working of each individual part, causes the growth of the body for the building up of itself in love. ~ Ephesians 4:10-16

Aaron tells me that in what he's been listening to, Derek Gilbert is connecting all professing apostles with the dominion movement. Nonsense. There's noisy chatter coming from the “bike lane collective” about defending your life and your family's life when the focus should really be on seeing the value of a willing sacrifice and becoming worthy of the Lord, who poured out His life for His friends as an example for us. Tom Horn is promoting Blood on the Altar, and yes, the church will persecute the church, and members of our own families will betray us, but the more worldly always persecute the more godly. That will amp up, to be sure, but the point is this, because it's all a love test. Do you love God? He is discovering it. Are you subject to him, obedient in life and trusting Him for His help to make you obedient even unto death? Do you trust Him - and have you earned His trust? Has He brought you into His confidence about times and seasons? Are you growing up in all aspects into Him who is the head, even Christ? Are you, as an individual part of the body, working properly, according to which the head, even Christ, causes the growth of the body for the building up of itself in love?

Please pray for me and for the fellow saints who aspire to be perfected in love to attend to fulfilling what is the Lord's good pleasure without distraction.

Monday, July 21, 2014

Some words about our time

We in America as around the world are witnesses to judgment being poured out, and the severity is escalating. I don't write about it every day because I have little to add to what I've already declared over the past several years. If you read the blog and pay close attention you'll see what you may have overlooked because you weren't ready to accept it - about judgment and sin.

On forums and blogs and videos there's a lot of chatter about what's coming, and it doesn't take much imagination to see that the social order around the globe is crashing. The flooding of the southern border of the US should be an obvious indicator that there's no intent to fix this country but rather the intent is to break it. The Gaza and other conflicts will expand. The US and Iran will engage, and first Iran then the US will fall. Daniel 8. In April, 2015, things will come to a head. The lawless one of 2 Thessalonians 2 will be revealed. If you're shaky on that, you've probably been paying too much attention to the wrong things. You have no idea how precious that knowledge is, which the Lord guards closely.

What about IMF Chief Christine Lagarde's speech touching on the magic number 7? (Gods final warning :Are the gates of hell about to be open July 18-27) What about SIRI was programmed to report about July 27, 2014 - is it true that the gates of Hades will open? Maybe to some degree, but the indicators I see clearly connect that with the opening of the Silver Gate, when Horus/Azazel comes through as the anointing of the Antichrist. The LHC is scheduled to be running at that time at double the power of the previous run, which has a definite bearing.

All the energy harvested in the mass rituals of magick entertainments, blood sacrifices in private, open crimes on individuals and groups, viral pandemic ops and military ops will fill the cup with blood. The goddess of the Marian apparitions is rising to a preeminent position and drawing all men and women to herself. All alike, barring the Bride and 144k sons of Israel will be drawn into her deceptive spells, as unlikely as that may seem to you.

If you've waited until now, when so many things loom as critical threats, to get accounts settled with people in the sight of God, according to the direction of the Lord Jesus Christ, I suggest you get to it straight away. Forgive what must be forgiven. Give what must be given. And perhaps, hold accountable who must be held accountable, in the way they must be with love. Do what is right in His sight and repent of making excuses.

Sunday, July 20, 2014

Marvel Comics turns Thor into a Goddess

Another example of the rise of the goddess. I note that her helmet design gives a nod to Athena.

Marvel Comics makes Thor a thunder goddess

“Marvel Comics announced Tuesday that the hammer-wielding Norse superhero will be a woman in upcoming comic book issues. Marvel was thin on details explaining the switch, but said in a press release that "no longer is the classic male hero able to hold the mighty hammer."”

“The Marvel universe has historically been male-dominated, but that may be changing. Marvel Studios is developing a stand-alone film for Black Widow, the character played by Scarlett Johansson.”

“Series writer Jason Aaron said in a statement that 'This is not She-Thor. This is not Lady Thor. ... This is THE Thor.'”

The buzz:

Friday, July 18, 2014

Part 45 - 2012 London Paralympics - “Our Lady of Coldplay” - and Frida Kahlo

In part 44, Rihanna's performance of, We Found Love, was seen to be a clever tribute to Our Lady of Fátima. Within that same segment of the Paralympics closing ceremonies, Coldplay played two songs that bracketed hers. They played Strawberry Swing with the orchestra as a segue. After Rihanna's sun chariot returned to earth, they closed the Summer segment with Viva la Vida. This framed her tribute to Our Lady of Fátima with their own devotionals to the goddess, in her identities as Venus and Our Lady of the Miraculous Medal and Our Lady of Guadalupe, most particularly.

In seeing how this was done we discover further evidence of what is going to unfold when the lawless one is about to be unveiled to the world, which I've been blogging about since the opening ceremonies in Sochi when the Lord began to open it to me. Through association with music videos, their Marian frame (or should I say, Marianne) imports a substantial layer of Illuminati or Monarch trauma-based mind-control programming, which is typical of such Occult works. The programming and antichrist themes are woven and bound together, as I've demonstrated at length on this blog. The music videos of Coldplay's framing songs reveal them as anthems for the Black Awakening, with Mary-Athena-Minerva sponsoring revolution. The theme of revolution will become very evident in this post, which is ultimately the rebellion against the one true God's authority.

(Coldplay fans who drop in and read here and are familiar with another song on the album, Violet Hill, you might want to argue that they are actually anti-war or pacifists. If you learn about symbolism and think about them being doves not hawks, well, there's something to think about that's not contradictory.)

You can watch video of their performances of these songs during the Paralympics ceremony on YouTube.
For some context, I note how Strawberry Swing was a fitting segue for Rihanna's performance on the swing because it offered what must have been a comforting thread of continuity for the audience. That's a pretty thin thread, of course. To know what's really going on you have to look further. In those broadcast versions of both songs there didn't seem to be an abundance of overt goddess symbols. When you see the fire dancing done and magickal drumming for the ritual building of energy, those elements are evidence of the religious context within which Coldplay and Rihanna are performing. The segment is called Summer, and the 4 seasons celebrate the pagan calendar. In the videos you'll see dancing on the stage that bears the markings that look like sigils denoting the Pagan calendar's quarter and cross-quarter holidays. That can be seen as a version of the 8 rayed star of the goddess. The Agitos presented the subtle swoosh of Nike and the crescent moons of the moon goddess, of the night. The Paralympics ceremony had Druidic elements, which you can see from this video found on the YouTube channel for Greywolf, chief of the British Druidic Order. Look for the fire dancer toward the end of it who appeared during Coldplay's performance. Paralympics 2012 Druid Ritual. (See also BDO Druidry Goes Global in the Paralympics Closing Ceremony - The British Druid Order)

The really obvious goddess connection is made through Coldplay's Grammy Award winning album and the music videos that are associated with those songs. The image of the goddess appears on the cover. The album is their 4th studio album, the “Isis numbering.” The goddess of the cover art is also seen in the official music videos for these songs. I intend to explain the symbolism of the videos in another post.

Coldplay - Viva La Vida

Coldplay - Strawberry Swing.


The goddess of Viva la Vida is that of the painting titled, Liberty Leading the People. The following is from Wikipedia.

“Liberty Leading the People is a painting by Eugène Delacroix commemorating the July Revolution of 1830, which toppled King Charles X of France. A woman personifying Liberty leads the people forward over the bodies of the fallen, holding the flag of the French Revolution – the tricolor flag which is still France's flag today – in one hand and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne.”

If you connect her with America's Lady Liberty (gifted by French Masons) and the Liberty Bell, you do well. Did you notice a bell featured during the videos? Ringing out Liberty, the Marian entity. You may think that we in America, have something completely different from Liberty-Marianne going on. Well, no, but we typically refer to her as Columbia, as you see in this war promotion poster that is of a kind that seems to have fallen out of fashion. Or Freedom, who stands atop the Capitol Dome as her counterpart Minerva on the Capitoline Hill in Rome.

The name, Marianne, is thought by some to have come from a connection with the Jesuit Juan de Mariana, the 16th century Monarchomach who was famously a theoretician of tyrannicide, and that may be so. Still, consider how the name is a combination of Maria and Anne, identifying her with the goddesses Mary and Inanna. The compositing of the goddess names is probably how the Mary worshiping Jesuit also acquired his name.

When Coldplay identifies with the goddess of that painting they are associating with a place and time, Paris in the year 1830. That's where and when “Our Lady of the Miraculous Medal” appeared three times to Catherine Labouré. (Probably the inspiration for Baron de Coubertin choosing to award medals to the Olympian athletes - “Our Lady of the Olympics”) Through the symbolic imagery of the adopted work of art, Coldplay honors the Marian apparition, “Our Lady of the Miraculous Medal.” At the same time, she is honored in her role as the goddess of war, and patroness of revolution.

If you consider the logic of Coldplay's Occult linking, historically, it falls apart because that revolution was due in no small part to the Romish church pandering King Charles X's imposition of the death penalty for anyone profaning the Eucharist. Esoteric references don't have to make a lot of sense, they just have to establish the essential connections.


Coldplay's album points to another painting, another nation and another revolution - and more imagery of the same goddess. The album was claimed to have been “recorded in a bakery, a nunnery, a magic shop, a church.” Actually, several churches; in Barcelona, Spain, and in Mexico during their Latin American Tour in March of 2007. A song titled, “Famous Old Painters” was written but wasn't chosen for the album. Eugène Delacroix (Liberty Leading the People) was certainly one famous old painter. Another was Frida Kahlo, Mexico's most famous female artist.

Her final work bore the words, Viva la Vida, and it is with respect to Frida's life that the album's subtitle makes even more sense: Viva la Vida or Death and All His Friends. She was severely injured in a bus accident when she was a teenager. She suffered from those injuries and from the many resulting surgeries until her death. As bringing her suffering to an end, one might consider Death to have come as a friend to her. “A few days before her death, she wrote in her diary: "I hope the exit is joyful — and I hope never to return — Frida". (Wikipedia)” Vida la Vida, means, “Live the Life,” “Long Live life,” “Live the Lifetime,” “Live the Way of Life” or “Live the Lifestyle.”

According to 1 Corinthians 15:26: “The last enemy that will be abolished is death.” That does not seem to have been Frida's hope. In a work from 1947 titled, Sun and Life, we see an expression of the hope of the illuminated. The open eye in the sun's forehead has to be seen as the eye of Ra or Horus. The page on a fan site describes the scene. “As a result of a terrible bus accident at age 18, Frida was unable to have children. Her obsession with fertility was often the subject of her paintings. In this painting, the life-giving sun is surrounded by plants in the form of erupting male penises and female wombs protecting a growing fetus. This painting also reveals Frida's sadness over her infertility as shown by the weeping sun and fetus.” I suggest rather that the subject is the reproduction of the Tree of Knowledge of Good and Evil in the earth through the mystical union of Osiris and Isis. This is akin to resurrection, and to the illuminated, it is their hope of eternal life.

Frida identified herself with the Mexican Revolution, which began in 1910 when she was three years old. “Frida Kahlo was born on July 6, 1907, in her parents' house known as La Casa Azul (The Blue House), in Coyoacán. At the time, Coyoacán was a small town on the outskirts of Mexico City.” “She later gave her birth date as July 7, 1910, allegedly wanting her birth to coincide with the beginning of the revolution so her life would begin with the birth of modern Mexico.” (Wikipedia) See Frida as a symbol of revolution that compares to the goddess of Delacroix's painting. She was born in July and identified herself with the Mexican Revolution, and also died in July, and the album art pictured the July Revolution.

While the last painting Frida did was to apply the label, Viva la Vida to the still of watermelons (that had most likely been painted a couple of years before the pain medications exacted their toll), the stronger association with the cover art is with another painting of hers where the words appear on a flag - one much like the one borne by Liberty: “Still Life - Viva la Vida and the Dr. Juan Farill - 1954.” In this, we see the distinctive goddess symbol of the dove: Aphrodite-Venus-Mary! There she is!

Frida was known to embed subtle symbolic imagery in her paintings, much of it sexual. I believe she encoded the ancient goddess symbol into her Viva la Vida watermelons, the simple W that represents the bent elbow of the goddess Inanna-Ishtar.

In the Lifetime network TV series, Witches of East End, the witch named Freya is a barmaid at The Bent Elbow Bar. “Inanna was also associated with beer, and was the patroness of tavern keepers, who were usually female in early Mesopotamia.” (source) Lots of dots, connecting.

Find the W in the highest section of the wave-cut melon, and centered below. Hey, is that a dove in flight at upper left? It's subtle. That fancy cut watermelon is a goddess crown. The wave form glyph represents water - Venus. It is a WATER melon. The goddess is usually bare breasted and the breasts are referred to melons, right?

Compare Frida's Watermelons to the images of Artemis-Diana of Ephesus. Melons. The goddess's mammary attributes are likened by some to a queen bee's eggs and also bull's testicles. The exposed seeds in the Frida's painting are probably intended to represent the bull's testicles, fertile with seed. The male and female fertility imagery really is a strong thread that runs through her work.

I just finished watching the Salma Hayek film based on her life titled, Frida, from 2002. In this screenshot, Frida and Diego are in the market. He's holding up the melons as breasts. Right after this, he puts those down and picks up some other kind of produce and jokes around with Frida pretending it represents big cojones, testicles.

The W signal is modeled all over the place in our culture. It's very obviously featured in the choreography of goddess modeling bent elbow pose striking women in music videos. The W and also an M (and E) is formed in the Horus hand sign that joins fingers 3 and 4 together. That's also the cloven hoof sign of Satan. Sometimes the single V symbol is used for Venus and Victory, the goddesses. (Winston Churchill) Sometimes it's doubled to form V+V or W, like how Taylor Swift hand signals the VV or W in performing “22,” which happens to be the number of the letter V. In this image, she crosses her hands to make the double V. Crossing them forms another V between them. Triple V = vav (6th Hebrew letter) vav vav = 666.

While I'm at it, “Viva la Vida” has 3 letters V = 666. (LA = 12+1=13) But “Viva la Vida” also features pairings of V's, the double V or W. Coldplay's Album cover art lines two up vertically. The Youtube channel Vevo ~ double V- goddess exalting. “Vevo Video” is a triple V 666.

“Frida (with variants Frieda, Freida and Freda) is a feminine given name. In Scandinavian countries, it derives from the Old Norse name Fríða, meaning "beautiful, beloved". In central and eastern Europe, Frida is a short form of compound names containing the Germanic element fried meaning "peace".” (Wikipedia) Freya is the name of the Norse queen of the gods, the goddess of love, beauty, war and death. The goddess symbol identified with the Mexican revolution is referenced through the album title, Viva la Vida, and that same goddess of the French Revolution of 1830 is referenced through the album cover art.

Frida painted an elaborate self-portrait in 1948 that presents her as the goddess. It's the second self-portrait in which she appears wearing the traditional Tehuana headdress. Its the resplandor or head-dress that is traditional for Tehuanas, women of Tehuantepec. They were strongly matriarchal, and Frida, who was certainly feminist, and bisexual, expressed solidarity with them. Her mother Matilde's heritage was mixed indigenous-Spanish, and Matilde was a devout Roman Catholic. According to a fan site's description of the painting, “The years of pain have taken their toll as is shown by three tears glistening down her cheeks like the tears of the Madonna of Sorrows.” The Madonna of Sorrows - that's Mary.

Count the upper panels formed in the radial pleating of Frida's Tehuana headdress. There are 13, which has the meaning of rebellion. Mary's name means, “their rebellion.”

The following verse is where the number appears in the biblical text for the first time.

Twelve years they served Chedorlaomer, and in the thirteenth year they rebelled. ~ Genesis 14:4

They rebelled. It was a revolution, in the 13th year. Who is Coldplay's goddess of the revolution? Mary!

The number 13 is naturally connected with Venus through the design the planet traces in the heavens. A 5 point star pattern called the Rose of Venus is traced out over the span of 8 earth years, exactly, to the day. In that span, Venus makes 13 circuits around the sun. See in Frida's self-portrait how her face is framed in a rosette - the Venus Rose. Consider the rosettes in the lace. The numbers generated in the creation of the Venus Rose are, 5, 8 and 13. These represent a range of the Fibonacci sequence, and this is why the spiral is a symbol of the goddess. The 5 pointed star in a circle reveals why the pentagram is another one of her symbols.

Frida's mother, Matilde, was a devout Roman Catholic, and even though I don't read where Frida practiced her mother's religion, she would certainly have been exposed to the Marian Rosary and candle burning acts of veneration. Frida was born, lived and died in The Blue House in Coyoacán, just southwest of Mexico City. The Marian apparition known as Our Lady of Guadalupe had appeared in 1531 a few miles away, just northeast of Mexico City. Would her mother and others in her community have made the short pilgrimage to her wildly popular shrine? This would have been a normal part of their culture. I note how Matilde's heritage, and therefore her daughter's also, matched a feature of that apparition. Matilde was of “mixed Amerindian and Spanish ancestry.” One of the miraculous signs given by Our Lady of Guadalupe involved the Castilian (Spanish) rose growing in the land of the “Amerindian.” From Wikipedia:

“The Virgin told Juan Diego to gather flowers from the top of Tepeyac Hill. Although December was very late in the growing season for flowers to bloom, Juan Diego found Castilian roses, not native to Mexico, on the normally barren hilltop. The Virgin arranged these in his peasant cloak or tilma. When Juan Diego opened his cloak before Bishop Zumárraga on December 12, the flowers fell to the floor, and on the fabric was the image of the Virgin of Guadalupe.”

Note: “Tepeyac is believed to have been a Pre-Columbian worship site for the indigenous mother goddess Tonantzin. Spanish colonists tore down a temple to her and erected a Catholic chapel at the site.” (Wikipedia)

It seems likely that Coldplay sees Frida as a model of the goddess, as the Castilian Rose (Venus) growing miraculously in Mexico, who is associated with Our Lady of Guadalupe.

It also seems likely that Coldplay has noted the other esoteric details surrounding her death, which has to be seen in connection with the album's subtitle. She painted the referenced expression, Viva la Vida, 8 days before her death, stamping it with the number of the rayed star of Venus. She died on July 13, 1954 at age 47. Her life span recalls the 47th Problem of Euclid. Osiris union Isis producing Horus. (See above ) The theme of immortality, death and resurrection is evident. Her death on the 13th day of July seems worth noting as another Venus-Marian numbering. I note that both of the singles they performed during the Summer segment had release dates on the 13th day of the month The single, Viva la Vida, was released on 13 June 2008 as the album's second single, and Strawberry Swing was released as the fifth and final single on 13 September 2009. The 13th day of the month is the day favored by Marian apparitions like at Fátima, and in the US in regular appearances to Rosa Lopes, Nancy Fowler and Ray Dorian.

Next up - Lord willing - the symbolism of the music videos.